- Behringer Eurorack Ub1832fx-pro Mixer Manual
- Behringer Eurorack Ub1832fx-pro Manuale
- Behringer Eurorack Ub1832fx-pro Price
- Behringer Eurorack Ub1832fx-pro Manual Pdf
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Page 12: Ub2442fx, Digital effects processor, Rear panel connectors
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question somewhat in order to avoid feedback. The graphic
stereo equalizer has to be turned on in order to use this function.
Logically, at least one (ideally several) microphone
channels have to be open for feedback to occur at all!
Feedback is particularly common when stage monitors
(wedges) are concerned, because monitors project sound in
the direction of microphones. Therefore, you can also use the
FBQ Feedback Detection for monitors by placing the equalizer in
the monitor bus (see MAIN MIX/MONITOR).
4. DIGITAL EFFECTS PROCESSOR
99 ORIGINAL VIRTUALIZER
Here is an overview of all of the multi-effects
processors presets. This effects module gives you
various standard effects, such as reverb, chorus,
flanger, delay and various combination effects that
have already shown what they can do in our 19'
effects processor, the VIRTUALIZER PRO DSP2024P. The aux
send FX in the channels and the aux send FX master control
allow you to feed the effects processor with signals.
Fig. 4.1: Digital effects module
The built-in stereo effects processor has the advantage that it
does not need to be wired up. This excludes the danger of
humming or level mismatch right from the start and thus
considerably facilitates use.
These effect presets are classical mixing effects. If you
move the STEREO AUX RETURN FX control, you mix the channel
signal (dry) and the effect signal. You can control the balance
between the two signals with the channel fader and the STEREO
AUX RETURN FX control.
INS(ERT) FX (NO CH. ROUTING)
The right column contains effect presets that are used for
complete signal processing. This should not be confused with
adding an effect to a dry channel signal. If you are using these
presets, you should not route the dry channel to the main bus
or the subgroups (MAIN switch and SUB switch next to channel
fader). Instead, you should route only the effects signal to the
main mix or subgroups (STEREO AUX RETURN FX control).
Mixing consoles UB2222FX-PRO and UB2442FX-PRO have a
separate output for the effects device, which is unbalanced and
stereo (tip = left signal; ring = right signal; sleeve = ground/
shielding). Thus, you can record, for example, a vocal track
enhanced with reverb in parallel to a dry vocal track; when
doing the mix-down later on, you can freely determine the amount
of reverb added.
The UB2442FX-PRO has the effect output on the rear,
UB2222FX-PRO has it located next to the aux sends
on the front panel.
Connect a standard foot switch to the foot switch jack and
use this to switch the effects processor on and off. A light at the
bottom of the display indicates wheater the effects processor
has been muted by the foot switch.
In Chapter 6.2 you will find an illustration showing
how to connect your foot switch correctly.
The LED level meter on the effects module should display a
sufficiently high level. Take care to ensure that the clip LED only
lights up at peak levels. If it is lit constantly, you are overloading
the effects processor and this could cause unpleasant distortion.
You can select the effect preset by turning the PROGRAM
control. The display flashes with the number of the current preset.
To recall the selected preset, press on the button; the flashing
stops. You can also recall the selected preset with the foot
5. REAR PANEL CONNECTORS
5.1 Main mix outputs, insert points and
control room outputs
Fig. 5.1: Main Mix outputs, main mix insert points and
control room outputs
The MAIN outputs carry the MAIN MIX signal and are on
balanced XLR jacks with a nominal level of +4 dBu. In parallel
with this, 1/4' phone jacks carry the main mix signal in a balanced
format (UB1622FX-PRO: here, the phone jack outputs are
unbalanced and located on the front panel).
CONTROL ROOM OUTPUTS (CTRL OUT)
The control room output is normally connected to the monitoring
system in the control room and carries the stereo mix or, when
selected, the solo signals.
MAIN INS(ERTS) (UB2442FX-PRO only)
These are the insert points for the main mix. In the signal path,
they are post-main mix amp, but pre-main fader(s). Use them to
insert, for example, a dynamics processor or graphic equalizer.
Please also note the information on insert points in chapter 5.3.
5.2 Subgroup outputs
Fig. 5.2: Subgroup outputs
The subgroup outputs are unbalanced and provide the mix of
those channels assigned to each subgroup with the SUB switch
(UB2442FX-PRO: switches 1-2 or 3-4) next to the channel faders.
Thus, you can, for example, route a subgroup to a second console
5. REAR PANEL CONNECTORS
you need to know more about specific issues, please visit our
website at http://www.behringer.com. Additional information and
explanations about various music industry/audio technology
terminology can be found on individual product pages as well as
in the glossary
The block diagram supplied with the mixing console
gives you an overview of the connections between
the inputs and outputs, as well as the associated
switches and controls.
For the moment, just try and trace the signal path from the
microphone input to the aux send 1 connector. Dont be put off
by the huge range of possibilities; its easier than you think! If you
look at the overview of the controls at the same time, youll be
able to quickly familiarize yourself with your mixing console and
youll soon be making the most of all its many possibilities.
1.3 Before you get started
Your mixing console was carefully packed in the factory to
guarantee safe transport. Nevertheless, we recommend that
you carefully examine the packaging and its contents for any
signs of physical damage, which may have occurred during
If the unit is damaged, please do NOT return it to us,
but notify your dealer and the shipping company
immediately, otherwise claims for damage or
replacement may not be granted.
Behringer Eurorack Ub1832fx-pro Mixer Manual
1.3.2 Initial operation
Be sure that there is enough space around the unit for cooling
purposes and to avoid over-heating please do not place your
mixing console on high-temperature devices such as radiators
or power amps. The console is connected to the mains via the
supplied cable. The console meets the required safety standards.
Blown fuses must only be replaced by fuses of the same type
Please note that all units must be properly
grounded. For your own safety, you should never
remove any ground connectors from electrical
devices or power cables, or render them in-
Please ensure that only qualified people install and
operate the mixing console. During installation and
operation, the user must have sufficient electrical
contact to earth, otherwise electrostatic discharges
might affect the operation of the unit.
Please take time to fill out and return the warranty card within
14 days after the date of purchase, so as to be entitled to benefit
from our extended warranty. Alternatively, you can use our
online registration option available on the world wide web
(www.behringer.com). You will find the serial number on the
rear of your mixing console.
2. CONTROL ELEMENTS AND
This chapter describes the various control elements of your
mixing console. All controls, switches and connectors will be
discussed in detail.
2.1 Mono channels
2.1.1 Microphone and line inputs
Fig. 2.1: Connectors and controls of mic/line inputs
Each mono input channel offers a balanced microphone input
via XLR as well as switchable phantom power (+48 volt) for
powering condenser microphones.
Please mute your monitor system before you
switch on phantom power. Otherwise potentially
damaging thumps will be sent to your speakers.
Please also note the instructions in chapter 5.5
Voltage supply, phantom power and fuse.
Each mono input also has a balanced line input on a 1/4' jack.
You can also connect unbalanced devices using mono jacks to
Please remember that you can use either the
microphone input or the line input of a channel, but
not both at the same time!
Insert points enable the processing of a signal with dynamic
processors or equalizers. They are sourced pre-fader, pre-EQ
and pre-aux send. Detailed information on using insert points
Behringer Eurorack Ub1832fx-pro Manuale
can be found in chapter 5.3.
Unlike the UB2442FX-PRO, the UB1622FX-PRO,
UB1832FX-PRO and UB2222FX-PRO have their insert
points located on the rear of the console.
Use the TRIM control to adjust the input gain. This control
should always be turned fully counter-clockwise whenever you
connect or disconnect a signal source to one of the inputs.
The scale has 2 different value ranges: the first value range
(+10 to +60 dB) refers to the MIC input and shows the
amplification for the signals fed in there.
The second value range (+10 to -40 dB) refers to the line input
and shows its sensitivity. The settings for equipment with st
andard line-level signals (-10 dBV or +4 dBu) look like this: While
the TRIM control is turned all the way down, connect your
equipment. Set the TRIM control to the external devices standard
Behringer Eurorack Ub1832fx-pro Price
output level. If that unit has an output signal level display, it should
show 0 dB during signal peaks. For +4 dBu, turn up TRIM slightly,
for -10 dBV a bit more. Fine-tuning of a signal being fed in is done
Behringer Eurorack Ub1832fx-pro Manual Pdf
using the level meter. To route the channel signal to the level
2. CONTROL ELEMENTS AND CONNECTORS